james murray | May 14th, 2012 
Featured in The Neuro Salon. Curated by Barbara Maria Stafford.
The Stubbins Gallery / College of Architecture / April 11 – 27 2012
A series of viewing machines, composed of a lens and screen enclosing a dark chamber, demonstrate the physical geometries of vision. //
[ barbara stafford, camera obscura, gray_matter(s), james murray, neuro salon, patrick di rito, shota vashakmadze, stubbins gallery ]
megan mcdonough | April 17th, 2012

a serrated monument from afar… //
[ Air Force Academy, chapel, Colorado Springs, SOM ]
mike vinson | April 17th, 2012 
A designer, as defined by Webster’s Dictionary is “one who creates and often executes plans for a project or structure”. This broad definition encompasses two different practices: that of Architecture and building design, and that of the Industrial, or, product designer. Both are designers, and both design very different things. //
[ architecture, diptychs, Product Design, sibling rivalry ]
hamza hasan | April 10th, 2012 
Ruth Dusseault’s The Innermost Room exhibition opens on Friday, April 20. The exhibition contains her work as well as other projects dealing with the catastrophic tornado that hit Joplin in May 2011. The exhibition takes place at the Robert C. Williams Paper Museum (the Paper Science Institute off 10th Street). //
[ art show, exhibition, faculty, Joplin, photography, Ruth Dusseault ]
hamza hasan | April 3rd, 2012 
We present Mike Vinson, the 2012 Georgia Tech IDSA Student Merit Award Finalist. //
[ IDSA Merit Award, industrial design, mike vinson, student competition ]
shota vashakmadze | March 27th, 2012 
Our winner, Bryce Truitt.
//
[ barcelona, competition, mies, Rem Koolhaas ]
shota vashakmadze | March 7th, 2012 
At the rebuilt Barcelona Pavilion? //
[ barcelona, competition, mies, Rem Koolhaas ]
patrick di rito | March 7th, 2012 
The second years. A perfectly banal and objective statement, charged and aggravated by class warfare. There exists within the College of Architecture a fundamental disjoint between the second years and the third and fourth years. Perhaps the parametrically driven computational design to the extreme the second years have been learning has given them the scripter’s ego. A notion of superiority and the end all of architecture. Perhaps it is the critical pessimism of fourth years, disillusioned by years of work, downtrodden by the industry, facing a grim reality that makes them fundamentally critical of all things lower class.
//
[ class warfare, marcos cruz, parametric, printmaking, savannah college of art and design, SCAD, second years, third years ]
shaowen zhang | March 6th, 2012 
What is a computer?
What is an algorithm?
These two components are the foundations of 21st century parametricism. Of them we have potential for geometric ingenuity, delicate variability and endless looping. In due time, the computer and the algorithm will be attributed to engendering the most polemical, most chaotic period of recorded architectural history.
//
[ algorithmic design, computer age, digital media, parametricism ]
james murray | March 1st, 2012
[a flux proposal by Shota Vashakmadze, Patrick Di Rito, and James Murray]
A field of light and air, described by shadows and the ephemeral sway of balloons is activated by the presence and intentions of sovereign participants; caught in a fragile moment, an unknown lamina of familiar gestures. //
[ balloon, castleberry hill, flux, FLUX 2012, gray_matter(s), Installation, james murray, patrick di rito, shota vashakmadze ]
annie mccarthy | February 28th, 2012 
Design. Do Good.
Bringing good to the world. That is the potential of design. Design can achieve.
//
[ hippo roller, Jonathan Golden, land of a thousand hills coffee, Play Pump, Ronnie Stuiver, Trevor Field ]
kelly heyer | February 28th, 2012 
An Interview with Danielle Roney…
//
[ danielle roney, installation art, interview, lecture ]
kelly heyer | February 28th, 2012 
While the Georgia Tech lecture series is not yet complete, it is evident that many professionals believe that the future of practice lies in computer generated forms (buildings or not) and to continue to believe in an autonomous pedagogy that ignores the many other contributing factors to the built environment that are crucial to the foundation of architecture such as the struggling economy, foreclosure and the realization that architects have no perceived value to other 99% of society.
//
[ Bill Sharples, future practice, Georgia Tech Lecture Series, Jeanne Gang, parametricism, Patrik Schumacher, Studio Gang ]